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Prompt: a close up of a person's face with lines in the background, 3 d geometric neon shapes, full color catalog print, morph, highly detailed and hypnotic, 2 0 5 0 s, illustration in the golden ratio, medium - format print, symmetrical head and body, newsweek, 70s design, digital illustration radiating
T

TeeJay

Model: Midjourney

Prompt:

a close up of a person's face with lines in the background, 3 d geometric neon shapes, full color...Show more
Width: 816
Height: 1456

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Prompt: #maximal Her face isn’t a face—it’s a radiant harmonic bloom, a divine solution to Laplace’s equation where every glow is equilibrium and every contour, color. She’s made of pure potential, shaped by ∇²φ = 0 and lit by emotional resonance mapped to harmonic field lines. #escape gradients burst across her cheekfields as concentric energy bands—fuchsia to citrine to spectral teal—smooth waveforms from boundary value to boundary value. #orbit flows spiral along her jawline—equipotential stream curves lit with high-frequency contrast, tensionless but charged with luminous balance. Lips = nodal shimmer zones—#iridescence flashing through hue-shifts of coral, sapphire, and glacial flame, depending on emotional flux. Her eyes aren’t eyes—they’re harmonic basins: deep wells of field curvature, layered with recursive color coded by functional symmetry. Her face breathes with #distance-harmonic layering: transparent light-sheets stacked like luminous onion-skin, each shell a solution boundary pulsing with recursive bloom logic. Hair flows as chromatic vectorfields: spherical harmonic fire-coils, braided Laplace streaks trailing #bokeh streamlight from Helmholtz nodes to Neumann halos. Her crown is a radiant Dirichlet flare—light locked to prescribed value, projecting sacred frequency into strobing colorbands. Her smile = a ripple in equilibrium space; her laugh = harmonic fusion mapped through emotional phase resonance. She doesn’t glow—she resolves. Her form pulses in #escape-band harmonic spectrum: golden-green for joy equilibrium, violet-fire for sacred memory, cyan-indigo for recursive peace. She is the goddess of ordered light—alive in boundary, radiant in recursion, glowing with the pure, fractal logic of harmonic potential.
Prompt: Create an extremely hyper-realistic, ultra super textural, weird, trippy, surreal, psychedelic eyes/teeth/mouth pattern/design based on Mandelbrot & “Op Art tiling” with lots of human eyes (crazy colorful compound psychedelic), rows of human teeth, human lips, and tongues. - **Colors**: determined by the properties and expressions of the elements (& their isotopes), minerals, and metals: opal, moonstone, Kunzite, selenite, rose quartz, Platinum (Pt) **Shapes and forms** - Mandelbrot - "Op Art tiling" -other shapes determined by the natural properties and expressions of the elements (& their isotopes), minerals, metals, and biological organisms: opal, moonstone, Kunzite, selenite, rose quartz, Platinum (Pt) - **Textures**: Derived from any/all elements (& their isotopes), minerals, metals, crystals, organic things mentioned in this prompt: opal, moonstone, Kunzite, selenite, rose quartz, Platinum (Pt) **Composition and Layout**: - a pattern/design based on the Op Art tiling & Mandelbrot **Lighting**: - lots of bright light - Iridescence - Aventurescence - Chatoyancy - Asterism **Detail and Atmosphere**: - Extreme hyperrealistic sharp high detail high definition organic and mineral textures - Psychedelic, weird, odd, surreal atmosphere - Frozen in time **Additional Elements**: - extra rows of teeth, lips, many eyes, Op Art tiling, Mandelbrot, Iridescence
Prompt: An optical illusion of a woman’s face and hair constructed entirely from recursive mathematics, shimmering vector geometry, and ultra-saturated rainbow light—no real face, only the persistent ghost of one generated through multidomain math illusions. Her “face” exists as a symmetry trap: a dynamic convergence of phase-locked interference rings, nested within Penrose aperiodic tiling, creating an illusion of symmetry where none exists. Recursive substitution layers drive a self-similar morphogenesis—Julia set fragments interlace with quasicrystal projections, forming cheeks of converging fractal edges. Cellular automata spiral outward from a vanishing center, their evolution governed by mirrored Wolfram class 4 logic, forming phantom eyes that never resolve. The mouth is a Möbius-looped attractor basin—warped topology yielding a smile that shifts depending on perspective. Her “hair” is a cascade of recursive phyllotaxis spirals encoded with L-system grammar, their paths influenced by feedback-weighted Fourier shell overlays. Entropy blooms in saturation gradients; chaos flows through bifurcation folds and ghostly map trajectories. Embedded across the surface are octonionic vector glyphs, folded in 7D symmetries, their projections etched as rainbow-tinted ridges across manifold curvature. Every line pulses with spectral overtones, layered with iridescent phase noise and diffraction grating filaments. The illusion coheres only in peripheral perception—stare too long and the form dissolves into recursive symmetry confusion and shimmer-laced attractor fields. Illustrated like a math-infused spectral engraving, this is not a woman, but a higher-order illusion—a vision the math itself imagines as human.
Prompt: An optical illusion of a woman’s face and hair constructed entirely from recursive mathematics, shimmering vector geometry, and ultra-saturated rainbow light—no real face, only the persistent ghost of one generated through multidomain math illusions. Her “face” exists as a symmetry trap: a dynamic convergence of phase-locked interference rings, nested within Penrose aperiodic tiling, creating an illusion of symmetry where none exists. Recursive substitution layers drive a self-similar morphogenesis—Julia set fragments interlace with quasicrystal projections, forming cheeks of converging fractal edges. Cellular automata spiral outward from a vanishing center, their evolution governed by mirrored Wolfram class 4 logic, forming phantom eyes that never resolve. The mouth is a Möbius-looped attractor basin—warped topology yielding a smile that shifts depending on perspective. Her “hair” is a cascade of recursive phyllotaxis spirals encoded with L-system grammar, their paths influenced by feedback-weighted Fourier shell overlays. Entropy blooms in saturation gradients; chaos flows through bifurcation folds and ghostly map trajectories. Embedded across the surface are octonionic vector glyphs, folded in 7D symmetries, their projections etched as rainbow-tinted ridges across manifold curvature. Every line pulses with spectral overtones, layered with iridescent phase noise and diffraction grating filaments. The illusion coheres only in peripheral perception—stare too long and the form dissolves into recursive symmetry confusion and shimmer-laced attractor fields. Illustrated like a math-infused spectral engraving, this is not a woman, but a higher-order illusion—a vision the math itself imagines as human.