OpenArt Logo
Sign in

Lia Felis

Lia Felis

Model: OpenArt SDXL

Prompt:

Fantasy painting, acacia tree with {red leaves} and {black bark}, and {black berries}, dull colors, danger, fantasy art, by Hiro Isono, by Luigi Spano, by John Stephens
Width: 1024
Height: 1024
Scale: 13
Steps: 25
Seed: 297134184
Strength: 0.75
Sampler: DPM++ 2M SDE Karras
Original image

Create your first image using OpenArt.

With over 100+ models and styles to choose from, you can create stunning images.

More images like this
Prompt: Katsuhiro Otomo, Surreal, mysterious, strange, fantastical, fantasy, Sci-fi, Japanese anime, insect collection, astronomical observation, fossil excavation, classifying living things, island creatures, microhabitat, from the coast of Yakushima to the mountaintop, the foundation of science, detailed masterpiece
Prompt: Fantasy painting,  acacia tree with {red leaves} and {black bark}, dull colors, danger, fantasy art, by Hiro Isono, by Luigi Spano, by John Stephens
Prompt:  An enigmatic landscape basks in the ghostly glow of a vermillion moon, with an extraordinary tree spreading its majestic, contorted shape under the celestial sphere, its radiance highlighting shimmering blossoms. Strength and resilience are symbolized by its stout roots, dug deep into a coarse stone formation. Majestic mountains, shrouded in a mystic haze, provide an awe-inspiring background. A
Prompt: beautiful chinese painting of jade brush strokes fading into shades of yellow and green, photorealistic, HD quality
Prompt:
Prompt: Fantasy painting,  acacia tree with {red leaves} and {black bark}, dull colors, danger, fantasy art, by Hiro Isono, by Luigi Spano, by John Stephens
Prompt: Landscape painting, lush linden forest, small river, in autumn, sunlight, dull colors, danger, fantasy art, by Hiro Isono, by Luigi Spano, by John Stephens
Prompt: Landscape painting, wide river with bright and unnaturally green water, swift water, golden and crimson acacia forest on the shore, dull colors, danger, fantasy art, by Hiro Isono, by Luigi Spano, by John Stephens