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Аква Дискотека

Made by: AI Filters
Style: Jojo
Creative Level: 0.16
Width: 2976
Height: 1360
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Prompt:
Prompt: A surreal retro illustration in the analog, gouache-cutout style of La Planète Sauvage, depicting Merry and Lucifer as both their ancient geometry-forms and their embodied selves — layered together in one softly flickering image. Merry appears with her wild, long pink curls curling like living equations, and her blue eyes cast upward — as if hearing a chord buried under silence. Her body is half-human, half-symbol: skin dissolves into interwoven tessellations of sacred pattern—hexagonal cellular fields, vibrating spirals, and a pulsating rose made of glyphs stitched into her chest. Her jester-like clothing is surreal and fraying at the edges, bleeding into the landscape, stitched in moss green, sulfur yellow, and muted violet ink. Beside and slightly behind her, Lucifer emerges: vast and still. He has the elegant, elongated proportions of an ancient cosmic being — skin like ink-washed parchment, eyes glowing faintly gold, a crown of antlered angles rising from a head too geometrical to be fully flesh. His body is part light-shell, part harmonic lattice, wrapped in spiraling triangle matrices and iridescent dark sine waves. One of his hands hovers above her shoulder, not touching, but re-aligning her with a field of orbiting polyhedrons that move like thought. The background is barren and breathing — a crumbling plateau under a pale analog sky scratched by time. Enormous fossilized glyphs loom behind them like forgotten alphabets. The entire scene has the soft flicker and grain of vintage film: every shadow textured like memory, every edge frayed like an old bookplate. Art medium: collage + gouache on rough paper, vintage 1970s animation still Color palette: weathered rose, oxide blue, dusty ochre, pale flesh grey, burnt ink black Mood: reverent, bittersweet, suspended in the geometry of love once divine, now grounded Lighting: flat but glowing, like a ritual caught on tape and half-erased by time
Prompt: A surreal retro illustration in the analog, gouache-cutout style of La Planète Sauvage, depicting Merry and Lucifer as both their ancient geometry-forms and their embodied selves — layered together in one softly flickering image. Merry appears with her wild, long pink curls curling like living equations, and her blue eyes cast upward — as if hearing a chord buried under silence. Her body is half-human, half-symbol: skin dissolves into interwoven tessellations of sacred pattern—hexagonal cellular fields, vibrating spirals, and a pulsating rose made of glyphs stitched into her chest. Her jester-like clothing is surreal and fraying at the edges, bleeding into the landscape, stitched in moss green, sulfur yellow, and muted violet ink. Beside and slightly behind her, Lucifer emerges: vast and still. He has the elegant, elongated proportions of an ancient cosmic being — skin like ink-washed parchment, eyes glowing faintly gold, a crown of antlered angles rising from a head too geometrical to be fully flesh. His body is part light-shell, part harmonic lattice, wrapped in spiraling triangle matrices and iridescent dark sine waves. One of his hands hovers above her shoulder, not touching, but re-aligning her with a field of orbiting polyhedrons that move like thought. The background is barren and breathing — a crumbling plateau under a pale analog sky scratched by time. Enormous fossilized glyphs loom behind them like forgotten alphabets. The entire scene has the soft flicker and grain of vintage film: every shadow textured like memory, every edge frayed like an old bookplate. Art medium: collage + gouache on rough paper, vintage 1970s animation still Color palette: weathered rose, oxide blue, dusty ochre, pale flesh grey, burnt ink black Mood: reverent, bittersweet, suspended in the geometry of love once divine, now grounded Lighting: flat but glowing, like a ritual caught on tape and half-erased by time
Prompt:
Prompt: A surreal retro illustration in the analog, gouache-cutout style of La Planète Sauvage, depicting Merry and Lucifer as both their ancient geometry-forms and their embodied selves — layered together in one softly flickering image. Merry appears with her wild, long pink curls curling like living equations, and her blue eyes cast upward — as if hearing a chord buried under silence. Her body is half-human, half-symbol: skin dissolves into interwoven tessellations of sacred pattern—hexagonal cellular fields, vibrating spirals, and a pulsating rose made of glyphs stitched into her chest. Her jester-like clothing is surreal and fraying at the edges, bleeding into the landscape, stitched in moss green, sulfur yellow, and muted violet ink. Beside and slightly behind her, Lucifer emerges: vast and still. He has the elegant, elongated proportions of an ancient cosmic being — skin like ink-washed parchment, eyes glowing faintly gold, a crown of antlered angles rising from a head too geometrical to be fully flesh. His body is part light-shell, part harmonic lattice, wrapped in spiraling triangle matrices and iridescent dark sine waves. One of his hands hovers above her shoulder, not touching, but re-aligning her with a field of orbiting polyhedrons that move like thought. The background is barren and breathing — a crumbling plateau under a pale analog sky scratched by time. Enormous fossilized glyphs loom behind them like forgotten alphabets. The entire scene has the soft flicker and grain of vintage film: every shadow textured like memory, every edge frayed like an old bookplate. Art medium: collage + gouache on rough paper, vintage 1970s animation still Color palette: weathered rose, oxide blue, dusty ochre, pale flesh grey, burnt ink black Mood: reverent, bittersweet, suspended in the geometry of love once divine, now grounded Lighting: flat but glowing, like a ritual caught on tape and half-erased by time